Category Archives: Poetry 2 / EN6043 (5 credits)

Mythology and Contemporary Poetry

Poetry 2 invites a close study of the ongoing persistence and creative value of mythology in modern poetry. Every week we will look at a myth/traditional narrative and how contemporary poetry responds to the imaginative, political, and personal dimensions that that myth still conveys in contemporary poetry. Among the poets studied will be Jorie Graham, Paula Meehan, Seamus Heaney, Czeslaw Milosz, Eavan Boland, and Eilean Ni Chuilleanain. Informing myths will be Ceres and Persephone, Diana and Acteon, scenes from The Odyssey, and others. The course will culminate in a weekend trip to the Beara Peninsula, to visit ancient sites such as the Hag of Beara, the gravesite of the Children of Lir, and Teach Donn (the gateway to the Celtic Underworld)

Craft of Fiction (2): The Novel / EN6056 (5 credits)

 

This seminar class takes on the close formal analysis of  the novel.  It comprises of a close study of  a set text and independent reading of six other novels. The in-depth study enables students to learn how to read like a writer with particular emphasis on recognizing key technique tropes – plot, characterization, narrative register, point of view, drama and dialogue.

Craft of Fiction (1): The Short Story / EN6062 (5 credits)

[Autumn Semester 2018 – Visiting Frank O’Connor Fellow, Carys Davis]

This class, which is part seminar/part workshop, examines the short story form in detail. Students read and analyse short story texts and apply what they’ve learnt in a series of craft writing exercises and in original fiction pieces that form part of the final portfolio for the course.

Mythology and Contemporary Poetry / EN6060 (10 credits)

 
This course invites a close study of the ongoing persistence and creative value of mythology in
 
modern poetry. Every week we will look at a myth/traditional narrative and how contemporary
 
poetry responds to the imaginative, political, and personal dimensions that that myth still
 
conveys in contemporary poetry. Among the poets studied will be Jorie Graham, Paula Meehan,
 
Seamus Heaney, Czeslaw Milosz, Eavan Boland, and Eilean Ni Chuilleanain. Informing myths will
 
be Ceres and Persephone, Diana and Acteon, scenes from The Odyssey, and others.  The course
 
will culminate in a weekend trip to the Beara Peninsula, to visit ancient sites such as the Hag of
 
Beara, the gravesite of the Children of Lir, and Teach Donn (the gateway to the Celtic
 
Underworld)
 
 

 

Writing the Self: Fiction & Non-Fiction / EN6033 (10 credits)

Memoir, biography and autobiography constitute some of the most dynamic and exciting forms of life writing and this module introduces students to advanced level study of theories and practice around the writing of biography and memoir, by locating key examples in literature and culture from writers such as Wilde, Proust, McGahern, Sage, O’Faolain and others. It allows students to explore the creative practices around their own use of memoir and memory recall, within the genres of poetry, fiction and other forms of writing and, week by week, draws on a variety of techniques to open out this vital element within the imagination.

The Business of Writing / EN6034 (5 credits)

This core module promotes an awareness of the business and commercial aspects of writing and introduces students to the practical aspects of working as a professional writer. The module also encourages students to gain experience of working in creative or cultural organisations, and draws on speakers from the world of publishing, the arts and literary organisations.

Dissertation in Creative Writing / EN6040 (40 credits)

[April – August 2018 – All Creative Writing Staff]

This is the final module of the MA in Creative Writing, undertaken from April to August – September (in the case of part-time students, in the second year). The dissertation comprises a substantial piece of creative writing, usually in a single genre (fiction, short story, poetry, memoir, radio drama etc.). This final project is the capstone of the learning experience on the MA and is written with the support and direction of a member of staff, with professional experience of the genre being undertaken. The length of the work will depend on the chosen genre, but is normally no longer that 15,000 words.